瓦塔纳扬库尔搭建了一个临时房屋，以凸显空气污染造成的侵害性后果，这个房屋模拟了“沙尘”污染的现实情况。她以居住空间为切入点，对“假定”的安全理念提出了质疑。该建筑空间的结构被比作容纳体，如同人的外皮；而其内部则类似……

Glasgow-based artist Phil Collins’s film Soy Mi Madre examines the immigrant populations of Colorado’s Roaring Fork Valley, a sizable percentage of which hail from northwestern Mexico. The region relies heavily on service and maintenance work provided largely through this population, who often commute to work in Aspen. Loosely inspired by Jean Genet’s The Maids—a seminal example of Theatre of the Absurd that renders surreal the intricate power dynamics that exist between people of divergent socioeconomic groups and exploits the volatility of social identity—Soy Mi Madre portrays the social realities of this region through the melodramatic lens of the telenovela. Reproduced in this volume through a generous selection of stills, the film uses popular Mexican television actors and crew, including Patricia Reyes Spindola, Zaide Silvia Guitérrez, Veronica Langer, and Salvador Parra, as well as members of the transsexual prostitute community of Mexico City.

A young woman's mother is found dead in the home they both live in a year after her fathers unsolves suspicious murder. The police think the daughter may be responsible so she and her friends must prove she is innocent.

An adopted woman on the cusp of childbirth reinserts herself back into the life of her biological mother, unsettling the entire family unit.

New York City, 2002. Vera and her daughter June move into a new apartment after Vera loses her husband. Their already strained relationship intensifies as they cope with grief in different ways.

Johnna's dad changed the world. Or so he says. Whilst Johnna and her dad are talking, they can't seem to connect, each growing more and more frustrated with one another, revolving around one another in their own orbits.

In the course of a single day, young Egle is confronted with her mother's suicide and is consumed by the guilt of having caused her death, all because of not being able to write one letter in the alphabet.

The day before her mother's memorial, Caroline realizes she has lost her mother's ashes. With no time left and fear of causing her sister Josephine further grief, Caroline must decide what to do.

A self sacrificing, selfless mother who makes the impossible "possible" for her daughter - a daughter who is ashamed of her mother and wants to run away from her mother and her life with her. Her journey to the college drives Nazli away from the village she has grown up - but years later, she wants to go back to the village where she was born, back to her mother - after all those years passed by with tons of "I wish". Candan Ercetin performed her song "Annem - Mom" once again for the movie twenty years later.

Anam, age 40, is a traditional Turkish wife and mother who lives with her family in a German city. She works as a cleaner and has made two friends: man-crazy German Rita and superstitious African Didi. When she finds out that her 20-year-old son Deniz has drifted into the drug scene and her husband Mehmet is having an affair with a colleague, her whole world collapses around her. Although desperate she is determined to fight and goes looking for Deniz. Instead she finds his girlfriend Mandy, who is also a drug addict. She decides to take care of the girl who is a stranger to her and finds herself confronted with an entirely unknown world. When she finally manages to track Deniz down to the cold-blooded dealer Hassain, he rejects her. Anam is forced to realize that painful as it is she can only help Deniz if he is prepared to accept her help